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8 January 1836 – 25 June 1912. Most renowned painters.

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VERONESE (Paolo Caliari)
Raising of the youth of Nain

ID: 39601

VERONESE (Paolo Caliari) Raising of the youth of Nain
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VERONESE (Paolo Caliari) Raising of the youth of Nain


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VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588  Related Paintings of VERONESE (Paolo Caliari) :. | Hercules,Deianira and the centaur Nessus,late Work | The Sacrifice of Abraham | Allegory of Wisdom and Strength wt | Jesus and the Centurion | Feast in the House of Levi |
Related Artists:
Ramon Bayeu
1746-1793 Spanish Ramon Bayeu Gallery The biography of Jose del Castillo (Madrid, 14.10.1737-Madrid, 5.10.1793) shows that the artist, being in his youth one of the most appropriate painters for becoming a leader of the artistic movement of the Illustrious Absolutism, ends up performing secondary work, paintings for tapestry and some religious works of art, which was not the field where he could best display his talent. Jose del Castillo is a perfect example of how an unhappy destiny can influence on the professional life of a painter under the regime of that time. Surely the unhappy destiny, in point of fact, does not explain anything and we will have to find out the real reasons why one of the most promising careers in painting of the eighteenth century in Spain was crushed. Probably it was a combination of two unsuccessful elections, from our point of view, that excluded the figure of Jose del Castillo from the elite group of artists of that time.
Adria Gual-Queralt
1872-1944
John Russell
English Painter, 1745-1806,English pastellist, painter, writer and astronomer. His father, also called John Russell (1711-1804), was a bookseller, printseller and amateur artist. Russell was educated at Guildford grammar school and won premiums from the Society of Artists for drawings in 1759 and 1760. He was apprenticed to Francis Cotes and set up his own practice in 1767. In 1770 he entered the Royal Academy Schools, London, winning the silver medal for figure drawing. He exhibited at the Society of Artists in 1768 and annually at the Royal Academy from 1769 to 1806. He was elected ARA in 1772 and RA in 1788, when he became Crayon Painter to King George III and to George, Prince of Wales. He painted some rather stilted portraits in oil






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